So, in preparation for my article on Bernina’s We All Sew blog, I dove deep into the world of border prints. That was easy to do since I had been unconsciously collecting them for a while, so when I pulled out all the border print fabrics I had amassed, I had a sizable pile. I think I had 7 or so, in addition to the romper I had started last year. I was spoiled for choice!
But, as is my habit, I waffled a bit on how to use my precious pieces. Ugh, I always do that, and I don’t know why, since I obviously have more fabric than any reasonable person should have, so I should just sew it up already! I have this conversation in my head like every time I decide on a project. I exhaust myself sometimes, you know?
This beautiful rayon is special because of the really unique double border than transitions in such an interlocking way. I could not imagine how I could just chop it up! One of my favorite shops is Anthropologie, and they use border prints in so many of their clothes (which is one of the reason I love their designs so much!). I noticed that they will use the border print symmetrically down the center of a garment to really draw your attention to the bodice and create a very custom look. I wanted to try that, so…
I just didn’t cut my fabric! Well, I did cut it into an neckline and armhole shape on the top, but there is no seam separating the front and back of the dress. Tricky, huh? I used a shape similar to this dress, but without the yoke. Then I gathered the top and the back and added bias binding. Easy and fun. Except…I had to handstitch the binding together at the center front. People, that took forever! I hate handsewing AND I’m horrible at it and slow as hell. I seriously had to break up that long long seam into 4 different sessions. I’m still not very happy with it!
The continuous bias binding is made from mustard flannel and was quite a project in itself. I enjoyed that process, actually, and can add that new skill to my repertoire. I have made bias binding before, but this was sewn together into a tube and cut out in a continuous strip. Then I ran it through the Clover bias maker with the iron. I have a bunch left, oh yes! I severely overestimated how much I would need. But nice cotton bias binding is always handy to have around, so I’ll squirrel it away.
One casualty of my slapdash dressmaking approach was that the gathered back edge ended up being too long and it droops. Oops, it droops! I wish it was straight back there. Also, you can see in these pictures that I quickly ran outside and took the pictures before I tacked down the back straps. Silly me! I came home, looked at the pictures and realized my hasty mistake and quickly sewed them down with a little stitch in the ditch, but there is no way that I am retaking the pictures. SORRY! Imagine the cute dress with the strap ends neatly sewn down, please.
This dress is funny since it looks like a totally different dress from the front vs. the back. Gray and yellow vs. black and white. Which dress do I like better?
- Border prints are fun but agonizing to display to their fullest potential.
- Despite my deep aversion, I had to handsew the bias binding down the center front so it would lay flat and butt up nicely
- I may make this made-up dress again, since I like the simple shape with the strap detail, but I’ll make the back edge shorter and perhaps the front triangle smaller